Cityscape of old and modern buildings at dusk with illuminated windows and rooftops, some with weathered rooftiles and chimneys.
View of rooftops and buildings in a cityscape during evening, seen through a window.
Modern interior with a white textured lounge chair, a small wooden side table, a cream area rug, a wooden cabinet with decorative objects, a framed cityscape photo, and a wooden window frame.
Living room with large windows showing snow-covered trees, tan leather sofa with dark gray blanket and pillows, small wooden side table with books, and wooden floors with a light-colored rug.
Modern living room with a light green sofa, multiple patterned pillows, a white throw blanket, a wooden side table, decorative vases, a large potted plant, a framed cityscape photograph on the wall, and large windows allowing natural light.
Interior living room with white sofa, wooden furniture, decorative vases, and a framed cityscape photograph on the wall.
A cozy living room corner featuring a floor lamp with a beige lampshade, a large ceramic vase, a small round black table, a textured orange armchair, a matching ottoman, a framed cityscape photograph on the wall, a beige curtain, and a dark rug on a
View of several buildings in an urban area during dusk, with some windows lit. One building has a large billboard featuring a woman's face. The rooftops include antennas, satellite dishes, and vents, and there's warm yellow lighting on the street bel
Close-up of the top corner of a computer monitor displaying an architectural drawing or blueprint, with a plain white textured wall in the background.
Close-up of a corner of a wooden and metal flat-panel furniture piece, with visible screws.

Vesper

Where the day ends, something deeper begins.

The city shows its warm colours at the end in the afternoon in Sarajevo, Bosnia-Herzegovina. Like a transition to a different state of mind.

Hahnemühle fine art pearl paper on aluminium in black wooden frame

83 × 63 × 3 cm incl. frame

Edition of 15, signed & numbered, with certificate of authenticity

Rather than documenting places, I photograph people: familiar moments that anyone can recognize, whether they've been to Sarajevo or never left their hometown. No models, no staging, no AI.

I never studied photography. I learned to see people as a nurse in mental health care where dignity shows up in the quietest moments, in the most unexpected places. That's what I search for, in every photograph I make.

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